Hannah Keefe one offs

A few new works by Hannah Keefe and more arriving at the end of the week. 

HERE: http://store.ikoikospace.com/ACCESSORIES/JEWELRY/HANNAH-KEEFE-c10/

2013 Rendij Moon Calendars

Getting ready to watch the moon in 2013.

We have indigo, cobalt blue, aqua and electric blue.

Rendij Studio’s long running project.  Hand silk screened with water-based ink on 100% post-consumer recycled pulp.   

12 x 24”

3 tie dress by Rowena Sartin

3 ties on each side for a playful fit.

Shirting Tie Dress

by

Rowena Sartin

HERE:  http://store.ikoikospace.com/3-Tie-Shirting-Dress-p275.html

Hinge work by Hannah Keefe

Hinge Series

by

Hannah Keefe

Neck pieces that straddle sculpture as tubular, geometric and quietly kinetic

*Email: info@ikoikospace.com or call 323.719.1079 for more info.

WILDER QUARTERLY, #4

Wilder Quarterly, #4 

The contemporary almanac for engaging with plants, urban environments, food culture, flower knowledge and, and, and…

Inside you’ll find mushrooms in Finland, Kyoto’s moss temple, crystals, the plant whisperer, plus a variety of other topics, recipes, and profiles. 

HERE:

http://store.ikoikospace.com/NEW-ARRIVALS/Wilder-Quarterly-4-p274.html

Hair Pins

For solving unfortunate hair band or clamp clip hair. 

Some brass and copper hair accessories.

U-shape, squared & double stick

$45

New colors added

Some new colors added to the group.  Neon and pale.  If you buy in store, you can mix and match your pair. 

Verre by Jess Panza

Glass, sterling silver posts/backs

1/8” diameter (glass element)

HERE:  http://store.ikoikospace.com/NEW-ARRIVALS/Particle-Stud-Earrings-p232.html

New reads

FANTASTIC MAN, #16

HERE: http://store.ikoikospace.com/NEW-ARRIVALS/Fantastic-Man-No-16-p273.html

GENTLEWOMAN, #6

HERE: http://store.ikoikospace.com/NEW-ARRIVALS/The-Gentlewoman-6-p272.html

WAKA WAKA Positive Negative Shelf for Building Block

WAKA WAKA + BUILDING BLOCK  unite

A shelving system made to house Building Block’s incredible collection. 

Look at them here:  http://www.building—block.com/

Removable table, hidden dowels, and lots of positive-negative statements on space.

Stay tuned for a WW / BB bag collaboration this holiday season…

Baltic Birch Plywood

*photos by Building Block

Here and There #11: IMA KOKO

Was lost in the mail, but has just arrived. 

HERE:  http://store.ikoikospace.com/NEW-ARRIVALS/Here-and-There-11-Ima-Koko-p271.html

Here and There, vol. 11, IMA KOKO:

March 11, 2011.  We can no longer forget this date. It was the day that Japan, the land of earthquakes, was struck by the largest ever recorded earthquake in Eastern Japan, by the Tsunami that came soon after, and the catastrophy at the Nuclear Power Plant. The term “shaking one’s value” never felt so real.

Our lives are limited in time. Then what can each of us believe in, pour our energy into, to maintain the strength to go on. When things fall apart, new things are born. The whole experience reminded me of how vulnerable we are. How our security is illusory and how things change constantly. There is the awareness of just being born, as well as the hesitation, concern and fear of having encountered a situation we have never experienced before. While experiencing these moments so full of fragile emotions, I also felt the joy and preciousness of sharing time and being with someone I love. Moreover, even in this kind of situation, I adored the excitement of being in the moment where new expressions were being born.

IMA KOKO was the motivation to start “here and there”. In Japanese, IMA is now and KOKO is here. In times when it was difficult to believe in things, I wanted to focus on “now” in the present tense and “here” in the present location. Since I couldn’t find the right equivalent in English, I decided to incorporate the two Japanese words IMA KOKO to function as a key for this feature.  

As this issue is released in the summer of 2012, I asked friends whom I had exchanged ideas with, artists whose exhibitions I had visited and writers whose books I had encountered, to collect their thoughts on “now and here”, with the hope of picking up the words that were just being brought into this world.

— Nakako Hayashi, December 2011